Marking a year since it’s premiere, a score-follower video of a recent piece of mine, A Self-Portrait (Couperin) (2022-23) is now available on youtube.
Read MoreNEWS: Interview with Kathy Hinde
Last year I was extremely lucky to interview sound-artist (and fellow Bristolian) Kathy Hinde for the journal Stage Screen Sound. Kathy makes extraordinarily beautiful work that ranges over installations, participatory events, happenings, and live performances. You can read the interview online here (starting p.164).
Read MoreNEWS: Co-Edited Collection Published
Really excited to have my first book published with Boydell & Brewer. A long time in the making, it’s a co-edited collection around issues of Music and Time, put together with my friend and collaborator, music psychologist Dr Michelle Phillips (RNCM). Full details on the Boydell and Brewer website here.
Read MoreNEWS: Co-Authored Journal Article
Myself and James Saunders have had an article published in the new music journal MusikTexte. The article is entitled What do composers do all day? and contains additional contributions from Joanna Bailie, Freeman Edwards, Larry Goves, Bryn Harrison, Hanna Hartman, Evan Johnson, Michael Maierhof, Cassandra Miller, Caitlin Rowley, Elena Rykova, Charlie Sdraulig, Laura Steenberge, Ming Tsao, and Amnon Wolman.
Read MoreNEWS: House of Bedlam Release on NMC
I’m delighted to announce that my work has been featured on a new release - ENCLOSURE, from ensemble The House of Bedlam.
Read MoreNEWS: Edited Journal Edition
I’m delighted to announce the publication of a new edition of Contemporary Music Review on Musical Materialisms, guest edited by myself, Prof. Isabella van Elferen (Kingston University), and Dr Sam Wilson (Guildhall School of Music and Drama).
Read MoreARTICLE: Revisiting, Revising, Remembering, Forgetting (On some of my older music)
As you may be aware from a previous post, recently revised an orchestral piece for a recording project with the London Symphony Orchestra. The piece - but today we collect ads - is over ten years old. I was twenty-three when I wrote it and less than a year out of studies. had to revise the piece as if I was a 23-year-old again, but with the wider practical experience that 10 years of professional work brings. It was certainly not my intention to aesthetically upgrade the work in any sense. To work out what I was trying to do originally and then try and do that better.
Read MoreNEWS: LSO Recording Release
In a time of international emergency, this feels like small news - but I’d be lying if I didn’t say I was absolutely thrilled and excited to have been included on a new release from the London Symphony Orchestra.
Read MoreNEWS: 2019 Ivors Academy Award Nomination
Still a bit stunned, I am delighted to be able to announced that my recent piece Meeting the Universe Halfway (2018) has been nominated for an Ivors Academy Award, formerly the British Composer Awards. The final results will be announced at the awards ceremony in London on December 4th.
Read MoreUPDATE: Summer 2018
It has been a rather busy summer so far, even on top of the usual frantic entanglement of marking and assessment that a university position demands. This is a little update as to my various research activities over the last two or three months, with some previews of upcoming projects.
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